Artist John Bell presents social networking at it’s visual best.

Las Vegas, Nevada, June 3 – July 27, 2010 —Brett Wesley Gallery is proud to present a new solo exhibition by renown Utah artist John Bell entitled The Burden of Ambition. Opening and artist reception will be Thursday June 3, 2010 from 6-9:00 p.m. at 1112 S. Casino Center Blvd. Free to the public.

In The Burden of Ambition series, Bell explores the impact of social networking, media influence, and the fluctuating values of contemporary culture. Bell uses visual metaphor to explore time and culture with meticulously placed icons, bits of memorabilia, snippets of news feeds, and other cultural artifacts. Bell’s imagery is provocative and often humorous, and utilizes a broad color palette, bold lines and ethereal backgrounds. “I have no doubt that people will spend more time blogging about my art then they do actually looking at it in person,” say Bell.

“At first glance John’s work might be compared to urban street art, yet with a spirited and playful spin on it. However, the more time you spend observing his paintings, the more they reveal themselves to be sophisticated and rich. Bell is one of the few able to combine several different painting techniques, layer upon layer, which result in these unforgettably exciting paintings.” says gallery owner Brett Wesley Sperry.
Brett Wesley Gallery represents John Bell’s work exclusively in Nevada. His work has been placed in many private collections and shown in several key cities and exhibitions including: Art Basel Miami, New York’s Time Warner Center, Los Angeles, Salt Lake City, and Las Vegas. He has received numerous acknowledgments and magazine reviews including: NY Art World, Blackbook Magazine, Juxtapoz, Catalyst, Artists of Utah, 15 bytes online, Salt Lake City Weekly, Artcotic.com, In Utah, Fox 13 News, Arkade Magazine, Artnet and Luxury Las Vegas.

Brett Wesley art receptions are held once a month at 1112 S. Casino Center Blvd. on the corner of Charleston Blvd. The gallery building itself is a nod to mid-century modernism, urban chic and classic American roadside architecture.
What makes Brett Wesley Gallery distinctive is its selection of stunning works by emerging and established painters, photographers, and sculptors from around the world. The gallery also hosts several cultural events, speaking engagements, and educational seminars throughout the year. Owner Brett Wesley Sperry states “Our primary goal is to show works of art that are bold, relevant, and well-crafted across several media and ultimately expand the visual dialog among collectors and artists.  Additionally we believe we’ve modified the traditional gallery experience by making our space more accessible and by hosting a variety of cultural events. Brett Wesley Gallery is a place to celebrate the arts and share knowledge with art collectors, fans and artists alike.  And each month, whether you love what we’re showing or not, there will always be something here that’s memorable and worthy of discussion”.
################

Opening exhibition “Rise” by New York artist Peter Fox.

Las Vegas, Nevada, September 2, 2009 — Brett Wesley Gallery is proud to presenting Rise, featuring paintings by New York artist, Peter Fox. Opening and artist reception will be Thursday September 2, 2010 6:00 p.m. to 9:00 p.m. at 1112 S. Casino Center Blvd. This event is free to the public.

Fox’s paintings combine vivid color with a liquid Minimalist process to create harmonious, kaleidoscopic effects. He spills paint from a flexible palette, giving voice to chance as it falls through the air, exploring the rich territory between accident and intention.

Fox extracts emotional complexity from a narrow set of rules, creating fascinating intricacies where hand, accident, and physics overlap. Intense color, conceptually structured, provokes visceral responses. “The resulting layers of color on color read as a kind of super-dense language… the paintings seem constructed not just out of paint, but of paint deliberately formed into something more than itself – paint imbued with intelligence”. (Barrett, Peter. “Obsessive Reductive”, Peter Barrett News, June 8, 2008.)

Fox is based in New York and exhibits internationally, including recent solo exhibitions at Docks Art Fair in Lyon, France with The Hogar Collection and at Arin Contemporary Art in Laguna Beach, CA. His work has been featured in The Brooklyn Rail, ArtNotes, The Washington Post, Segno and TimeOut Roma, among other publications.

- More -

Brett Wesley art receptions are held once a month on Preview Thursday at 1112 S. Casino Center Blvd. on the corner of Charleston Blvd. The gallery building itself is a nod to mid-century modernism, urban chic and classic American roadside architecture.
What makes Brett Wesley Gallery distinctive is its selection of stunning works by emerging and established painters, photographers, and sculptors from around the world. Owner Brett Wesley Sperry states “Our primary goal is to show works of art that are bold, relevant, and well-crafted across several media and ultimately expand the visual dialog among collectors and artists. Brett Wesley Gallery is a place to celebrate the arts and share knowledge with art collectors, fans and artists alike. And each month, whether you love what we’re showing or not, there will always be something here that’s memorable and worthy of discussion”.

PETER FOX

Artist Statement
My ‘Process’ series embraces uncertainty, building language from accident. It began with a thought about language as a kind of conceptual algebra, in which constellations of signifiers generate fields of meaning. I imagined playing with the constellational structures, in the space before words. Pressing the point, I thought about existing
anguages attached to indefiniteness, equations with pre-undefined variables.
The language I engaged is ‘Abstract Painting’. Focused on Minimalism and Process, Op and Psychedelia, the parameters are rigorous: exposed supports, primary colors and the law of gravity – hands-off, all-over, self-reflexive. The words feel familiar but the language is open. In my ‘Abstraction’ objects and images freely serve as organizing systems.
I prepare paint on a flexible palette, from which the colors spill onto canvas, allowing chance and fluid dynamics a central role in shaping process and outcome. With repetition and observation, I find patterns in the accidents I instigate.

Bio
B. 1962 Philadelphia, Pennsylvania

Selected Exhibitions
2010
Arin Contemporary Art, Laguna Beach. Solo (upcoming)
Olivier Houg Galerie, Lyon, France. Solo (upcoming)
Mount Airy Contemporary Artists Space, Philadelphia, Brooklyn on Paper. Curated by Larry Walczak.
Bushwick Schlacht!, Brooklyn. Curated by Guillermo Creus, Tom Sanford and Marcel Huppauf.
Beta Pictoris Gallery, Birmingham, AL, Biagini, Choi, Echols, Fields, Fox, Hicks, Neel, Rieger.
Brenda Taylor Gallery, New York, Red Dot Art Fair, NYC.
Splashlight, New York, LREI Benefit Auction.
Front Room Gallery, Brooklyn, WAGMAG Benefit.
2009
Verge Miami, Brenda Taylor Gallery.
Art Viceroy Miami, The Hogar Collection.
Docks Art Fair 2009, Lyon, France (The Hogar Collection). BIVOUAC. (solo)
Sotheby’s, New York. CCBF Benefit Auction.
The Wit Gallery, Dallas. Top Ten. Curated by Lori Kirkbride.
Curator’s Office, Washington, D.C. Summer Dock.
The Hogar Collection, Brooklyn. Moving Target. (solo)
Scott Richards Contemporary Art, San Francisco. New Space New Work.
Brooklyn Academy of Music, Brooklyn. BAM Silent Auction.
Bushwick Open Studios, Brooklyn. Fortress To Solitude. Curated by Guillermo Creus.
2008
The Hogar Collection, Brooklyn. Sneak Peek.
Miami 2008: Aqua Hotel. The Hogar Collection.
Rupert Ravens Contemporary, Newark, NJ. Williamsburg Window. Curated by The Hogar Collection.
Hunterdon Art Museum, Clinton, NJ. Material Color. Curated by Mary Birmingham
Phillips de Pury, New York. CCBF Benefit Auction.
Leila Taghinia-Milani Heller Gallery, NY. Splash.
Curator’s Office, Washington, D.C. Mixology.
The Hogar Collection, Brooklyn. Obsessive Reductive. Curated by Peter Barrett.
Kentler International Drawing Space, Brooklyn. 100 Works On Paper Benefit.
Eyewash Gallery, Brooklyn. Artwalking. Curated by Larry Walczak and Donna Kessinger.
NYC Art Fairs 2008: Curator’s Office, Wash., DC. Scope New York.
Brenda Taylor Gallery, NY. Red Dot Art Fair.
The Hogar Collection, Brooklyn. Bridge Art Fair.
D.U.M.B.O. Arts Center, Brooklyn. Leap Year Benefit Auction.
2007
Miami Art Fairs 2007: Eyewash Gallery, Brooklyn. Aqua Hotel.
Curator’s Office, Wash., DC. Aqua Hotel.
Brenda Taylor Gallery, NY. Red Dot Art Fair.
The Hogar Collection, Brooklyn. Bridge Art Fair.
Brenda Taylor Gallery, NY. Mary Ehrin, Peter Fox, Vadim Katznelson and Kathleen Kucka.
Curator’s Office, Wash., D.C. Scope Hamptons, NY.
Knew Gallery, Wash., D.C. A Good Time Is Now.
Eyewash Gallery @ Hogar Collection, Brooklyn. Peter Fox & Jeanne Tremel.
Kentler International Drawing Space, Brooklyn. 100 Works On Paper Benefit.
ColorField.Remix @ Knew Gallery, Wash., D.C. Curated by Andrea Pollan.
The Cut Has A Finger. (solo, catalog)
Eyewash Gallery @ Supreme Trading, Brooklyn. Brooklyn Abstract.
Eyewash Gallery, Brooklyn. Bridge Art Fair, Chicago.
Eyewash Gallery, Brooklyn. Red Dot Art Fair, NYC.
2006
Dust Gallery, Las Vegas. Hifalutin. (2-person exhibition w/ Lisa Stefanelli.)
I.S.E. Foundation, New York. Pushme Pullyou. SuperCollider; collaboration w/Betsy Andrews.
Monica Lorduy, New York. Inaugural Exhibition.
The Drawing Center, New York. Animation Open Call.
2005
Dust Gallery, Las Vegas. NY♥LV. Curated by Lisa Stefanelli.
Pierogi, Miami. Selected Works from the Pierogi Flat Files.
Knew Gallery, Washington, D.C. Painting.
2004
Pierogi, Brooklyn. Pierogi-A-Go-Go.
Pierogi, Art Basel Miami Beach, Miami.
University Art Museum, SUNY Albany. Selected Works from the Pierogi Flat Files.
Kaufman Arcade, New York. SCHISMATISM.
2003
White Box Annex, New York. 5 Sublime. Curated by Alisoun Meehan.
Warp Projects, Brooklyn. Inaugural Exhibition.
2002
Roebling Hall, Brooklyn. Afflicted.
1998-2001
Esso Gallery, New York. L’Elemento Verbale Nell’Arte Contemporanea (SCRIPTA MANENT). Curated by Filippo
Fossati and Jennifer Bacon.
Galleria Milano, Milan. L’Elemento Verbale Nell’Arte Contemporanea (SCRIPTA MANENT).
Galleria Martano, Turin. L’Elemento Verbale Nell’Arte Contemporanea (SCRIPTA MANENT)
Postmasters, New York. WAR.
Magazzino d’Arte Moderna, Rome. SUGO? (solo)
Galleria XTRA, Rome. Incognoto.
Temple Gallery, Tyler School of Art, Rome. Thesis Exhibition.

Education
MFA, Tyler School of Art, 1998, Philadelphia / Rome.
BArch, Temple University, 1988, Philadelphia.

Bibilography
Vieira, Cibele. “Peter Fox: SPILL”. Itchy Books, 2009.
Laurent, Herve. “Docks Art Fair 2009 est un succès public, artistique et économique en dépit du contexte
économique difficile.”, Radio Pluriel, September 21, 2009.
Adam, Georgina. “Arts/Collecting: The Art Market. Steinitz’s Paris Showroom and an Unknown Rembrandt”,
Financial Times (London), September 19, 2009.
Gibson, David. “Bushwick Biennial 2009”, Artnotes #28, September 2009.
Kalm, James. “Artseen / Brooklyn Dispatches: Bushwick Biennial: Venice It Ain’t”, The Brooklyn Rail ,
July 2009.
Peet, Dylan. “Critic’s Pic: Peter Fox”, WAGMAG (Brooklyn Art Guide), Feb. 1, 2009. (photo)
Wagner, James. “Williamsburg: Peter Fox, Aron Namenwirth, John Bjierkle”, Jameswagner.com, Feb. 12,
2009. (photos)
Kalm, James. “Peter Fox: REMIX”, Kalm Report (YouTube), Feb. 4, 2009.
Marks, Dean. “Peter Fox: Moving Target”. Saatchi Online, The Saatchi Gallery. February 2009.
Walczak, Larry. “Walking Williamsburg”, NY Arts, Nov./Dec. 2008.
Birmingham, Mary. “Material Color”, The Hunterdon Museum, October 2008. (cover and interior photos)
Mattera, Joanne. “Material Color”, Joanne Mattera Art Blog, October 18, 2008. (photos)
Bischoff, Dan. “Art You’ll Want To Lick Off The Wall”, The Newark Star-Ledger, 10/10/08.
Barrett, Peter. “Obsessive Reductive”, Peter Barrett News, June 8, 2008.
Kalm, James. “ARTWALKING: Bedford Avenue”, Kalm Report (YouTube), May 19, 2008.
“PICK: Eyewash’s ARTWALKING: Bedford Avenue”, ARTCAL, 4/27/2007. (photo)
Brody, David. “Peter Fox and Jeanne Tremel”, Artnotes, June, 2007. (photos)
“Williamsburg: Les Artistes Emergents a Brooklyn / Eyewash: Peter Fox et Jeanne Tremel”,
Podartgallery, June 11, 2007. (photo)
Wagner, James. “Peter Fox, Jeanne Tremel at Eyewash@ Hogar Collection”, Jameswagner.com,
June 4, 2007. (photos)
Kalm, James. “Summer Swell Tour”, WAGMAG (Williamsburg and Greenpoint Monthly Art Guide),
June 1, 2007.
Mellema, Kevin. “Northern Virginia Art Beat – Peter Fox: The Cut Has A Finger”, Falls Church News-Press,
May 9, 2007.
Capps, Kriston. “Tint Condition – Works by Peter Fox”, Washington City Paper, May 4, 2007 (photo)
Cohen, Jean Lawlor. “Local Color”, “Color Redux”, Where Magazine, May 2007. (photo)
Dawson, Jessica. “The Cut Has a Finger: Works by Peter Fox” The Washington Post, April 28, 2007. (photo)
Pollan, Andrea. “Gene Davis: Interval” (ColorField.Remix catalog), The Kreeger Museum, April 2007 (photo)
Kalm, James. “Artseen: Brooklyn Dispatches”, The Brooklyn Rail, April, 2007. (photo)
Keene, Jarret. “Pick of the Week”, Las Vegas City Life, September 21, 2006.
Peterson, Kristen. “Arts Notes: Abstract Artists Return for Another Wild Ride in Vegas”, Las Vegas Sun,
September 8, 2006.
Supercollider excerpts, O Poss Number 1, Summer 2006.
Supercollider excerpts, Torch Magazine #4: Poetry and Visual Arts, June 2006.
Twardy, Chuck. “Points in Paint”, Las Vegas Weekly, February 3-9, 2005.
Schillaci, Kelle. “They Love Art”, Las Vegas City Life, February 4, 2005. (photo).
Comisso, Francesca. “L’Elemento Verbale nell’Arte Contemporanea”, Segno, March/April, 2000. (photo).
Boccardo, Silvana Anna. Review. Corriere dell’Arte, March 11, 2000.
Curto, Guido. “Quando la Parola Diventa Immagine”, La Stampa Torinosette, March 24, 2000.
Di Biago, Claudio. “Peter Fox Fa il Sugo Pop,” TimeOut Roma, October 22-28, 1998.

PETER FOX

Artist Statement
My ‘Process’ series embraces uncertainty, building language from accident. It began with a thought about language as a kind of conceptual algebra, in which constellations of signifiers generate fields of meaning. I imagined playing with the constellational structures, in the space before words. Pressing the point, I thought about existing
anguages attached to indefiniteness, equations with pre-undefined variables.
The language I engaged is ‘Abstract Painting’. Focused on Minimalism and Process, Op and Psychedelia, the parameters are rigorous: exposed supports, primary colors and the law of gravity – hands-off, all-over, self-reflexive. The words feel familiar but the language is open. In my ‘Abstraction’ objects and images freely serve as organizing systems.
I prepare paint on a flexible palette, from which the colors spill onto canvas, allowing chance and fluid dynamics a central role in shaping process and outcome. With repetition and observation, I find patterns in the accidents I instigate.

Bio
B. 1962 Philadelphia, Pennsylvania

Selected Exhibitions
2010
Arin Contemporary Art, Laguna Beach. Solo (upcoming)
Olivier Houg Galerie, Lyon, France. Solo (upcoming)
Mount Airy Contemporary Artists Space, Philadelphia, Brooklyn on Paper. Curated by Larry Walczak.
Bushwick Schlacht!, Brooklyn. Curated by Guillermo Creus, Tom Sanford and Marcel Huppauf.
Beta Pictoris Gallery, Birmingham, AL, Biagini, Choi, Echols, Fields, Fox, Hicks, Neel, Rieger.
Brenda Taylor Gallery, New York, Red Dot Art Fair, NYC.
Splashlight, New York, LREI Benefit Auction.
Front Room Gallery, Brooklyn, WAGMAG Benefit.
2009
Verge Miami, Brenda Taylor Gallery.
Art Viceroy Miami, The Hogar Collection.
Docks Art Fair 2009, Lyon, France (The Hogar Collection). BIVOUAC. (solo)
Sotheby’s, New York. CCBF Benefit Auction.
The Wit Gallery, Dallas. Top Ten. Curated by Lori Kirkbride.
Curator’s Office, Washington, D.C. Summer Dock.
The Hogar Collection, Brooklyn. Moving Target. (solo)
Scott Richards Contemporary Art, San Francisco. New Space New Work.
Brooklyn Academy of Music, Brooklyn. BAM Silent Auction.
Bushwick Open Studios, Brooklyn. Fortress To Solitude. Curated by Guillermo Creus.
2008
The Hogar Collection, Brooklyn. Sneak Peek.
Miami 2008: Aqua Hotel. The Hogar Collection.
Rupert Ravens Contemporary, Newark, NJ. Williamsburg Window. Curated by The Hogar Collection.
Hunterdon Art Museum, Clinton, NJ. Material Color. Curated by Mary Birmingham
Phillips de Pury, New York. CCBF Benefit Auction.
Leila Taghinia-Milani Heller Gallery, NY. Splash.
Curator’s Office, Washington, D.C. Mixology.
The Hogar Collection, Brooklyn. Obsessive Reductive. Curated by Peter Barrett.
Kentler International Drawing Space, Brooklyn. 100 Works On Paper Benefit.
Eyewash Gallery, Brooklyn. Artwalking. Curated by Larry Walczak and Donna Kessinger.
NYC Art Fairs 2008: Curator’s Office, Wash., DC. Scope New York.
Brenda Taylor Gallery, NY. Red Dot Art Fair.
The Hogar Collection, Brooklyn. Bridge Art Fair.
D.U.M.B.O. Arts Center, Brooklyn. Leap Year Benefit Auction.
2007
Miami Art Fairs 2007: Eyewash Gallery, Brooklyn. Aqua Hotel.
Curator’s Office, Wash., DC. Aqua Hotel.
Brenda Taylor Gallery, NY. Red Dot Art Fair.
The Hogar Collection, Brooklyn. Bridge Art Fair.
Brenda Taylor Gallery, NY. Mary Ehrin, Peter Fox, Vadim Katznelson and Kathleen Kucka.
Curator’s Office, Wash., D.C. Scope Hamptons, NY.
Knew Gallery, Wash., D.C. A Good Time Is Now.
Eyewash Gallery @ Hogar Collection, Brooklyn. Peter Fox & Jeanne Tremel.
Kentler International Drawing Space, Brooklyn. 100 Works On Paper Benefit.
ColorField.Remix @ Knew Gallery, Wash., D.C. Curated by Andrea Pollan.
The Cut Has A Finger. (solo, catalog)
Eyewash Gallery @ Supreme Trading, Brooklyn. Brooklyn Abstract.
Eyewash Gallery, Brooklyn. Bridge Art Fair, Chicago.
Eyewash Gallery, Brooklyn. Red Dot Art Fair, NYC.
2006
Dust Gallery, Las Vegas. Hifalutin. (2-person exhibition w/ Lisa Stefanelli.)
I.S.E. Foundation, New York. Pushme Pullyou. SuperCollider; collaboration w/Betsy Andrews.
Monica Lorduy, New York. Inaugural Exhibition.
The Drawing Center, New York. Animation Open Call.
2005
Dust Gallery, Las Vegas. NY♥LV. Curated by Lisa Stefanelli.
Pierogi, Miami. Selected Works from the Pierogi Flat Files.
Knew Gallery, Washington, D.C. Painting.
2004
Pierogi, Brooklyn. Pierogi-A-Go-Go.
Pierogi, Art Basel Miami Beach, Miami.
University Art Museum, SUNY Albany. Selected Works from the Pierogi Flat Files.
Kaufman Arcade, New York. SCHISMATISM.
2003
White Box Annex, New York. 5 Sublime. Curated by Alisoun Meehan.
Warp Projects, Brooklyn. Inaugural Exhibition.
2002
Roebling Hall, Brooklyn. Afflicted.
1998-2001
Esso Gallery, New York. L’Elemento Verbale Nell’Arte Contemporanea (SCRIPTA MANENT). Curated by Filippo
Fossati and Jennifer Bacon.
Galleria Milano, Milan. L’Elemento Verbale Nell’Arte Contemporanea (SCRIPTA MANENT).
Galleria Martano, Turin. L’Elemento Verbale Nell’Arte Contemporanea (SCRIPTA MANENT)
Postmasters, New York. WAR.
Magazzino d’Arte Moderna, Rome. SUGO? (solo)
Galleria XTRA, Rome. Incognoto.
Temple Gallery, Tyler School of Art, Rome. Thesis Exhibition.

Education
MFA, Tyler School of Art, 1998, Philadelphia / Rome.
BArch, Temple University, 1988, Philadelphia.

Bibilography
Vieira, Cibele. “Peter Fox: SPILL”. Itchy Books, 2009.
Laurent, Herve. “Docks Art Fair 2009 est un succès public, artistique et économique en dépit du contexte
économique difficile.”, Radio Pluriel, September 21, 2009.
Adam, Georgina. “Arts/Collecting: The Art Market. Steinitz’s Paris Showroom and an Unknown Rembrandt”,
Financial Times (London), September 19, 2009.
Gibson, David. “Bushwick Biennial 2009”, Artnotes #28, September 2009.
Kalm, James. “Artseen / Brooklyn Dispatches: Bushwick Biennial: Venice It Ain’t”, The Brooklyn Rail ,
July 2009.
Peet, Dylan. “Critic’s Pic: Peter Fox”, WAGMAG (Brooklyn Art Guide), Feb. 1, 2009. (photo)
Wagner, James. “Williamsburg: Peter Fox, Aron Namenwirth, John Bjierkle”, Jameswagner.com, Feb. 12,
2009. (photos)
Kalm, James. “Peter Fox: REMIX”, Kalm Report (YouTube), Feb. 4, 2009.
Marks, Dean. “Peter Fox: Moving Target”. Saatchi Online, The Saatchi Gallery. February 2009.
Walczak, Larry. “Walking Williamsburg”, NY Arts, Nov./Dec. 2008.
Birmingham, Mary. “Material Color”, The Hunterdon Museum, October 2008. (cover and interior photos)
Mattera, Joanne. “Material Color”, Joanne Mattera Art Blog, October 18, 2008. (photos)
Bischoff, Dan. “Art You’ll Want To Lick Off The Wall”, The Newark Star-Ledger, 10/10/08.
Barrett, Peter. “Obsessive Reductive”, Peter Barrett News, June 8, 2008.
Kalm, James. “ARTWALKING: Bedford Avenue”, Kalm Report (YouTube), May 19, 2008.
“PICK: Eyewash’s ARTWALKING: Bedford Avenue”, ARTCAL, 4/27/2007. (photo)
Brody, David. “Peter Fox and Jeanne Tremel”, Artnotes, June, 2007. (photos)
“Williamsburg: Les Artistes Emergents a Brooklyn / Eyewash: Peter Fox et Jeanne Tremel”,
Podartgallery, June 11, 2007. (photo)
Wagner, James. “Peter Fox, Jeanne Tremel at Eyewash@ Hogar Collection”, Jameswagner.com,
June 4, 2007. (photos)
Kalm, James. “Summer Swell Tour”, WAGMAG (Williamsburg and Greenpoint Monthly Art Guide),
June 1, 2007.
Mellema, Kevin. “Northern Virginia Art Beat – Peter Fox: The Cut Has A Finger”, Falls Church News-Press,
May 9, 2007.
Capps, Kriston. “Tint Condition – Works by Peter Fox”, Washington City Paper, May 4, 2007 (photo)
Cohen, Jean Lawlor. “Local Color”, “Color Redux”, Where Magazine, May 2007. (photo)
Dawson, Jessica. “The Cut Has a Finger: Works by Peter Fox” The Washington Post, April 28, 2007. (photo)
Pollan, Andrea. “Gene Davis: Interval” (ColorField.Remix catalog), The Kreeger Museum, April 2007 (photo)
Kalm, James. “Artseen: Brooklyn Dispatches”, The Brooklyn Rail, April, 2007. (photo)
Keene, Jarret. “Pick of the Week”, Las Vegas City Life, September 21, 2006.
Peterson, Kristen. “Arts Notes: Abstract Artists Return for Another Wild Ride in Vegas”, Las Vegas Sun,
September 8, 2006.
Supercollider excerpts, O Poss Number 1, Summer 2006.
Supercollider excerpts, Torch Magazine #4: Poetry and Visual Arts, June 2006.
Twardy, Chuck. “Points in Paint”, Las Vegas Weekly, February 3-9, 2005.
Schillaci, Kelle. “They Love Art”, Las Vegas City Life, February 4, 2005. (photo).
Comisso, Francesca. “L’Elemento Verbale nell’Arte Contemporanea”, Segno, March/April, 2000. (photo).
Boccardo, Silvana Anna. Review. Corriere dell’Arte, March 11, 2000.
Curto, Guido. “Quando la Parola Diventa Immagine”, La Stampa Torinosette, March 24, 2000.
Di Biago, Claudio. “Peter Fox Fa il Sugo Pop,” TimeOut Roma, October 22-28, 1998.